Sultan Bāhū: The Meaning of Faqīrī
In my reading of this Punjabi quatrain, Sultan Bāhū makes abiding love and remembrance of God the measure of faqīrī.
Transmitted among his Abyāt, the poem is often printed as four long lines or eight shorter lines. It is identified by its opening words, “Nahī̃ faqīrī jhallīā̃ māran,” and appears as no. 179 in the Sultan-ul-Ashiqeen collection.
The Poem
The Punjabi text is followed by a readable transliteration and my English translation. I retain faqīrī because “spirituality” only partly conveys its meaning: the way of the faqīr, whose spiritual poverty involves relinquishing worldly attachments and seeking nearness to God. Explanation of faqr in Bahu’s tradition.
Faqīrī is not dancing in noisy frenzy,
waking people from their sleep—Hū.
Faqīrī is not crossing flowing rivers
and reaching the far bank dry—Hū.
Faqīrī is not spreading prayer mats
and keeping them suspended in the air—Hū.
Those alone deserve the name faqīr, O Bāhū,
who give the Friend a home within their hearts—Hū.
In the transliteration, ā, ī, ū indicate long vowels; the tilde ◌̃ indicates nasalization. Hū is pronounced “hoo.”
Words and Meanings
A few details help preserve the precision of the Punjabi. The collection’s accompanying Punjabi–Urdu glossary supports the following readings.
The comparison in the prayer-mat entry refers to the Roman text and Punjabi image supplied with the original quotation.
| Expression | Meaning and significance |
|---|---|
| جھلّیاں مارنjhallīā̃ māran | Performing a form of dancing accompanied by loud cries. “Shouting chants and frenzied dancing” is an interpretive expansion; the Punjabi does not separately name chanting. |
| سُتّیاں لوک جگاونsuttiā̃ lok jagāvan | Waking sleeping people. The original does not specify the early morning. |
| سُکّیاں پار لنگھاونsukkiā̃ pār laṅghāvan | Crossing over while remaining dry. This detail makes the reference to an extraordinary feat explicit; “running on top of streams” is a freer rendering. |
| مصلّےmuṣalle | Prayer mats. Your Roman text uses sajjādā, another word for a prayer rug. The Punjabi image and the version above use muṣalle. |
| دوست ٹکاونdost ṭikāvan | Giving the Friend an abiding place. Dost, “Friend,” signifies God as the beloved; ṭikāvan suggests settling or establishing, giving the final line its sense of constancy. |
The Friend Within the Heart
Hū belongs to the poem’s devotional meaning. It is the Arabic “He,” referring to God, and functions as a repeated invocation in Sufi remembrance. Keeping it in the translation preserves the prayerful cadence of the original. The Matheson Trust’s explanation of Bahu’s refrain.
The poem moves through increasingly striking outward acts, then ends with the quiet image of the heart becoming the Friend’s dwelling. “Enshrined the Friend” conveys this beautifully, provided we understand it as the heart’s enduring devotion and awareness of God.
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