Saturday, March 14, 2026

Time and Moral Urgency

 

  بِسْمِ اللّهِ الرَّحْمـَنِ الرَّحِيمِ


 مَضَى أَمْسُكَ الْمَاضِي شَهِيدًا مُعَدَّلًا 
وَأَعْقَبَهُ يَوْمٌ عَلَيْكَ جَدِيدٌ

 

فَيَوْمُكَ إِنْ أَغْنَيْتَهُ عَادَ نَفْعُهُ 
عَلَيْكَ وَمَاضِي الْأَمْسِ لَيْسَ يَعُودُ

 

فَإِنْ كُنْتَ بِالْأَمْسِ اقْتَرَفْتَ إِسَاءَةً
فَثَنِّ بِإِحْسَانٍ وَأَنْتَ حَمِيدٌ

 

فَلَا تُرْجِ فِعْلَ الْخَيْرِ يَوْمًا إِلَى غَدٍ
لَعَلَّ غَدًا يَأْتِي وَأَنْتَ فَقِيدٌ 

Meaning: 

Yesterday has passed, a witness whose testimony stands,
and after it a new day has come to you.

If you make today rich with good, its benefit returns to you;
yesterday will not come back.

So if you did some wrong yesterday,
follow it with goodness, and you will be praiseworthy.

Do not put off a good deed until tomorrow;
tomorrow may come when you yourself are gone.
Language:

Arabic


Transliteration:

Maḍā amsuka al-māḍī shahīdan muʿaddalan
wa-aʿqabahu yawmun ʿalayka jadīd

fa-yawmuka in aghnaytahu ʿāda nafʿuhu
ʿalayka wa-māḍī al-amsi laysa yaʿūd

fa-in kunta bi-l-amsi iqtarafta isāʾatan
fa-thanni bi-iḥsānin wa-anta ḥamīd

fa-lā turji fiʿla al-khayri yawman ilā ghadin
laʿalla ghadan yaʾtī wa-anta faqīd



Origins:
 
The earliest extant record I could verify is in Ibn Abī al-Dunyā’s Kalām al-Layālī wa-l-Ayyām. In the passage after a saying of ʿAbd Allāh b. Marwān b. Muḥammad b. al-Ḥakam, Ibn Abī al-Dunyā says directly, “أنشدني محمود بن الحسن”, then gives the four lines. A scanned copy of the book preserves the same wording,.

That attribution is then corroborated by al-Bayhaqī in al-Zuhd al-Kabīr, who transmits with an isnād to Ibn Abī al-Dunyā: “أنشدني محمود بن الحسن قوله”, followed by the same poem. So the chain is not just “quoted anonymously”; it comes through a report framed as Ibn Abī al-Dunyā hearing it from Mahmud himself.

The Mahmud in question is best identified as محمود الورّاق، ابن الحسن البغدادي. Biographical notices describe him as a Baghdadi poet known for moral and ascetic verse, and they note specifically that Ibn Abī al-Dunyā narrated from him.

There is also a competing later attribution. Al-Thaʿlabī preserves a variant with “وأصبحت في يوم عليك شهيد” and attributes it to al-Ḥasan ibn ʿAlī, while al-Khaṭīb al-Baghdādī transmits a close variant and labels it “لمحمود”. Because Ibn Abī al-Dunyā’s witness is earlier and direct, the safer literary judgment is that the poem is by Mahmud al-Warraq, while the al-Ḥasan ibn ʿAlī attribution is a later rival attribution.


Brief Explanation:

The poem turns time into a moral witness. Yesterday is not merely over; it is now part of the record. Today, by contrast, is still open. That is why the poem moves from memory to action: you cannot retrieve yesterday, but you can still use today well.

What gives the poem its depth is that it is not just about “using time wisely.” It is about accountability before God. The phrase shahīdan muʿaddalan has an almost juridical sound: yesterday is like a reliable witness whose testimony will be accepted. So the poem presses two things at once—self-reckoning and immediate repair.

To my ear, the poem is stronger than a simple warning against laziness. It teaches moral urgency: do not waste the present in regret over the past, but do not hide behind regret either. Turn regret into action.

In the classical ascetic and ethical tradition, days and nights are often described as witnesses over human deeds, and this poem is a very concentrated expression of that outlook. The surrounding material in later moral works preserves exactly this idea: each day comes as something new, bears witness to what is done in it, and then departs forever.


A note about variants:

First, there is “in aghnaytahu” versus “in aʿtabtahu.” In one early witness from Ibn Abī al-Dunyā the line reads “fa-yawmuka in aghnaytahu ʿāda nafʿuhu”: if you enrich today, fill it with worthwhile good, its benefit returns to you. In al-Bayhaqī’s transmission it reads “in aʿtabtahu”: if you use today to make amends, to set matters right, its benefit returns to you. The first reading stresses fruitfulness; the second stresses repentance and repair. The nearby prose in Ibn Rajab about having a mustaʿtab, a chance to make amends, fits that second shade especially well.

Second, there is “wa-aʿqabahu yawmun ʿalayka jadīd” versus “wa-aṣbaḥta fī yawmin ʿalayka shahīd.” The first means: yesterday was followed by a new day. The second is more vivid and personal: you have awakened into a day that is itself a witness over you. So one version emphasizes succession; the other intensifies the image of scrutiny and testimony. The latter appears in the rival attribution preserved by al-Thaʿlabī.

Third, the order of the middle couplets shifts in transmission. In the Ibn Abī al-Dunyā witness, the couplet about wrongdoing yesterday comes before the couplet about making today fruitful. In later quotations, including one cited by Ibn Rajab, the order appears as in the version you sent: first the present day, then repair of yesterday. The meaning stays close, but the emphasis shifts a little. Ibn Abī al-Dunyā’s order makes today the remedy for yesterday’s fault; the reordered version makes today the main opportunity, then explains one chief use of that opportunity.

The World in the sight of the People of Insight

  بِسْمِ اللّهِ الرَّحْمـَنِ الرَّحِيمِ

جَهَان اَز رَنگ و بُو سَازَد اَسِیرَت 
وَلِی دَر  پِیشِ اَرْبابِ بَصِیرَت 

نَه رَنگِ دِلْکَشَش رَا اِعْتِبَارِی‌سْت  
نَه بُویِ دِلْفَرِیبَش رَا مَدَارِی‌سْت 

 


Meaning: 

The world ensnares you with its colors and perfumes,
but in the presence of People of Insight,
its enchanting hues have no worth,
and its beguiling fragrance has no hold.
Language:

Persian/Farsi


Transliteration:

Jahān az rang o bū sāzad asīrat
Valī dar pīsh-e arbāb-e baṣīrat
Na rang-e delkashash rā eʿtebārīst
Na bū-ye delfarībash rā madārīst



Brief Explanation:
 
Kamāl al-Dīn Ḥusayn Wāʿiẓ Kāshifī (d. 910/1504–5) is quoted in Ismāʿīl Ḥaqqī’s Rūḥ al-Bayān on Qurʾān 18:8, in support of the idea of not getting entrenched in this world. The poem is about surface attraction versus inner insight. “Rang o bū” — color and fragrance — stands for the world’s outward charm: beauty, display, seduction, all the things that catch the senses. The first line says that the world can enslave a person through these attractions. But the second line shifts perspective: those with basīrat, inward sight or spiritual discernment, are not deceived by appearances.

The last two lines reinforce that point. Iʿtibār means weight, credit, worth, something that deserves to be taken seriously. Madār in classical Persian can carry senses like axis, center, basis, or that on which something turns, so here it suggests something one can rely on or revolve around. In other words, to the people of insight, the world’s beauty is not false in the narrow sense that it does not exist; rather, it is not ultimate, not dependable, and not worthy of spiritual attachment.

So the poem’s meaning is not “beauty is bad.” It is subtler than that: what dazzles the senses should not rule the heart. This is a classic Persian ethical and Sufi theme — the contrast between ẓāhir (outward appearance) and bāṭin (inner reality).



 






The fragility of comfort

 بِسْمِ اللّهِ الرَّحْمـَنِ الرَّحِيمِ

يَا صَاحِبِي لا تَغْتَرِرْ بِتَنَعُّمٍ


فَالْعُمْرُ يَنْفَدُ وَالنَّعِيمُ يَزُولُ


وَإِذَا عَلِمْتَ بِحَالِ قَوْمٍ مَرَّةً


فَاعْلَمْ بِأَنَّكَ عَنْهُمْ مَسْؤُولُ


وَإِذَا حَمَلْتَ إِلَى الْقُبُورِ جِنَازَةً


فَاعْلَمْ بِأَنَّكَ بَعْدَهَا مَحْمُولُ

Meaning: 

My friend, don’t be fooled by comfort and ease—
life runs out, and every ease fades away

And if you ever come to know the state of other people, even once,
know that you’ll be held to account for them.

And when you carry a funeral bier to the graves,
know that one day you too will be (similarly) carried.
Language:

Arabic


Transliteration:

Yā ṣāḥibī, lā taghtarr bi-tanaʿʿum;
fa-l-ʿumru yanfadu wa-n-naʿīmu yazūl.
Wa-idhā ʿalimta bi-ḥāli qawmin marratan,
faʿlam bi-annaka ʿanhum masʾūl.
Wa-idhā ḥamalta ilā l-qubūri janāzatan,
faʿlam bi-annaka baʿdahā maḥmūl.



Brief Explanation:
These lines circulate in the adab/raqāʾiq tradition as a short “zuhd” piece embedded in the anecdote of Hārūn al‑Rashīd’s ascetic son, known in biographical literature as “ولد الرشيد المعروف بالسبتي” (the “Sabbātī,” i.e., the one who worked on Saturdays). In Ibn al‑Jawzī’s retellings of the story he explicitly warns that storytellers embellished it with “impossible” additions—so the core anecdote is early, but some poetic/legendary details can be later accretions.

1) In al‑Yāfiʿī, Rawḍ al‑Riyāḥīn fī Ḥikāyāt al‑Ṣāliḥīn, he transmits the story of the “Sabbātī” and, at the moment of his death, places three couplets on his tongue

2) In Ismāʿīl Ḥaqqī, Rūḥ al‑Bayān fī Tafsīr al‑Qurʾān (tafsīr on al‑Kahf 18:8), we can find that he quoptes essentially the same anecdote while commenting on “وَإِنَّا لَجَاعِلُونَ مَا عَلَيْهَا صَعِيدًا جُرُزًا,” but he quotes only the two couplets  (he omits the middle one).

There is also a  key “variant cluster” that circulates outside the “Sabbātī / son of Hārūn” story, paired with different lines. For example, al‑Qurṭubī cites it (anonymously: “وأنشدوا…”) together with:

وَإِذَا وُلِّيتَ أُمُورَ قَوْمٍ لَيْلَةً … فَاعْلَمْ بِأَنَّكَ بَعْدَهَا مَسْؤُولُ
وَإِذَا حَمَلْتَ إِلَى الْقُبُورِ جِنَازَةً … فَاعْلَمْ بِأَنَّكَ بَعْدَهَا مَحْمُولُ
يَا صَاحِبَ الْقَبْرِ الْمُنَقَّشِ سَطْحُهُ … وَلَعَلَّهُ مِنْ تَحْتِهِ مَغْلُولُ


If, (even)for one night, the affairs of a people are placed in your hands,
remember: after that, you will be answerable.

If you carry a body to its grave,
remember: one day, you will be the one carried.

You whose tomb is adorned with carved stone—
perhaps below it rests one bound in chains.

That matters because it shows the “جنازة / محمول” bayt has an independent life in the admonition literature—so when it shows up inside the “Sabbātī” anecdote, it may be borrowed/attached rather than securely “his.”









Thursday, January 28, 2021

The foundational brick


 بِسْمِ اللّهِ الرَّحْمـَنِ الرَّحِيمِ



چون گذارد خشت اول بر زمین معمار کج
گر رساند بر فلک، باشد همان دیوار کج


Meaning: 



If an architect/builder sets the brick of the foundation incorrectly in a crooked manner
Even if he manages to make the wall reach up to the sky, it will still be a crooked wall




Language:

Persian/Farsi

Transliteration:


Choon Guzarad Khishte Awal Bar Zameen Ma'imar Kaj
Gar Rasanad Bar Falak, Bashad Haman Deewar Kaj


 

 Video/Audio:






Brief Explanation:

The verses means that in anything, our fundamentals must be right from the beginning. No "ends justify the means", but rather the intention of doing something must be correct, and the steps and the means to achieve the same must be righteous, otherwise whatever we do will be tainted no matter how successful it seems.

Background:
These verses are from one of the famous poems of Mīrzā Muḥammad ʿAlī Ṣāʾib , also known as Saib Tibrizi. The verses have inspired a well known proverb as well:

خشت اول گر نهد معمار کج 
   تا ثریا می رود دیوار کج
If an architect lays the first brick crooked
Even if the wall reaches the highest galaxies, it is still crooked




Thursday, January 14, 2021

Shoo Away

   بِسْمِ اللّهِ الرَّحْمـَنِ الرَّحِيمِ 


 از سر بالین من برخیز اے نادان طبیب 
دردمند عشق را دارو بجز دیدار نیست


Meaning: 



O ignorant physician! Shoo away from my bed side
There is no remedy for a love afflicted person except a vision of the Beloved 



Language:

Persian/Farsi

Transliteration:


Az sare baleene man barkheez ae nadan tabeeb
Dardmande isqh ra, daroo bejuz deedar neest 


 

 Video/Audio:
 





Brief Explanation:

True lovers find relief from affliction only in the presence of the Beloved.

Background:

This is from one of the controversial poems of hazrat Amir Khusrau indicating his choice of a religion of Love over all forms of formal religions, and also his indifference to the reaction of the common folk to his choice.  Although Amir Khusrau is extremely well known as a Sufi and a pious person, it is often seen that he would use shocking terminology to promote the idea of love, prioritizing it over other aspects of religion.



Thursday, December 31, 2020

Exalted by Virtue of Perfection

   بِسْمِ اللّهِ الرَّحْمـَنِ الرَّحِيمِ  

بلغ العُلا بكمالـــــــهِ
 كشف الدُجى بجمالـهِ
 حَسُنت جميعُ خصالهِ
 صَلُّوا عليه و آلــــــهِ


Meaning: 


He ﷺ is exalted by virtue of his perfection
He ﷺ lifted the veils of darkness through his ﷺ beauty
Perfection itself are all his ﷺ qualities
Blessings be on him ﷺ and on his family.



Language:

Arabic

Transliteration:


Balaghal-ula bi-Kamaal-i-hi
Kashafa ad-duja bi-Jamaal-i-hi
Hasunat jamee’u Khisaal-i-hi
 Sallu alay-hi wa Aal-i-hi

 

 Video/Audio:
 






Brief Explanation:

The Prophet ﷺ through his perfection of qualities and character transformed the darkness into light for a whole lot of members of the created beings.

Background:

A popular story in South Asia Sufi lore is that the scholar/poet Saadi Shirazi was writing one of his most famous quatrains (rubāʿī) in praise of the Prophet ﷺ. After writing three lines he slept while thinking about the final line.  He dreamt of the Prophet ﷺ who asked Saadi why he looked troubled. Saadi lamented his inability to complete a quatrain.  The Prophet ﷺ asked him to recite it and then either uttered or wrote the final line himself.

Do not complain

  بِسْمِ اللّهِ الرَّحْمـَنِ الرَّحِيمِ  

ســـرمد گــله اختصار می‌باید کرد
یک کـار از این دوکـــار می‌باید کرد
یا تن به رضای دوست می‌باید داد
یا قـــطع نظـــر ز یـار می‌بــاید کرد


Meaning: 


Oh Sarmad, minimize your complaints 
You have one of these two courses of action
Either surrender to the Will of your Beloved willingly
Or turn your eyes away from you Beloved 


Language:

Persian/Farsi

Transliteration:


Sarmad gileh ikhtisar mi bayad kard
Yak kar azeen dokaar mi bayad kard
Ya Tan berazaai dost mi bayad daad
Ya qatai nazar zeyaar mi bayad kard


 Video/Audio:
 






Brief Explanation:

One of the well known quatrain (rubāʿī) of Sarmad Kashani a famous Persian speaking Armenian mystic and poet, who is well known in South Asia, despite being executed for heresy.  This quatrain asks us to be content with the choices of the Beloved, if we truly love Him, or else we will not feel the fullness of His Love towards us.

Background:

To be truly pleased with the Lord is the foremost trait of a friend of the Lord. This does not mean that we should be quiet in the face of tyranny or any wrong-doing, but to be pleased with the path charted out by our Beloved. Our share of chosen trials and tribulations should be seen for the the elements of Love and Divine Mercy as they truly are.


Time and Moral Urgency

      بِسْمِ اللّهِ الرَّحْمـَنِ الرَّحِيمِ  مَضَى أَمْسُكَ الْمَاضِي شَهِيدًا مُعَدَّلًا   وَأَعْقَبَهُ يَوْمٌ عَلَيْكَ جَدِيدٌ   فَيَوْم...